Tobias M. Weinberg, Aaleyah Lewis, Ricardo E. Gonzalez Penuela, Weicong Hong, Jennifer Mankoff, Thijs Roumen. ASSETS 2026. Honorable Mention: Top 5% of submissions. (doi)
Mean ratings (1–5) across survey dimensions comparing non-binary (n=8), men (n=28) and women (n=17) AAC users pooled.
Voice is a central element of identity. We recognize people by their voice, and we uniquely express who we are with it. For people who rely on augmentative and alternative communication (AAC) systems, such as speech-generating devices (SGD), the device’s voice becomes an identity marker others associate with them. Yet, it is hard to find a voice that truly aligns with one’s identity both linguistically and culturally. Although modern AI-generated voices can reproduce diverse accents and speaking styles, AAC users still lack accessible ways to articulate how they want an identity-aligned voice to sound like. We first conducted a survey of AAC users (across eight countries) to characterize current voice representation, finding that non-binary, transgender, and non-US born respondents rated their current voice support identity alignment consistently lower than other respondents. To examine how AAC users respond to voices designed to reflect their cultural identity, we built a tool that elicits cultural markers through guided questions and generates personalized voice candidates for participants to hear and reflect on. After participants heard the voices, we interviewed them to examine what it means for a voice to feel culturally representative, how they interpreted voices with cultural connotations, and how these voices shaped their sense of identity and agency. Our findings show that cultural voice alignment runs deeper than accent or language alone; it touches on belonging, self-recognition, and what it means to be heard as who you are.
Blind or low vision (BLV) students face systemic digital barriers in STEM education. Among these barriers, a significant one is inaccessible lecture slides, particularly when ALT (alternative) text for visuals is missing or inadequate. ALT text can be onerous for experts to create for visual-heavy slide decks, and non-experts may not create informative ALT text. AI-powered generation techniques have promise to speed this process up, however AI text outputs can be inaccurate. To investigate this, we constructed a dataset of 30 lecture slide PDFs across 5 STEM domains.
To generate ALT text for the lecture visuals, we developed a research-backed system prompt and internal AI-powered interface that uses lecture slide PDFs and slide-aligned transcripts. We ran an ablation study comparing image understanding of 795 lecture visuals under two conditions: lecture slide PDF and lecture slide PDF with additional transcript context. We scored the ALT text items across research-informed metrics such as Accuracy, Objectivity, Completeness, and Relevance. The AI-generated ALT text scored highly overall across all metrics in both research conditions, with minimal rates of hallucination. Both conditions performed equally well in most cases. For Illustrations, Completeness was +21.2% higher (𝑝 < .001) with transcript context.
Overall, our findings demonstrate the technical feasibility of AI-powered ALT text generation for STEM lecture visuals using multimodal context. These results motivate and lay the groundwork for future BLV student user evaluations to further analyze how AI systems can support educational accessibility
A. Turkarslan, V. H. Thakkar, R. Tekle, T. Chen, J. J. Martinez, and J. Mankoff. “Context-aware, AI-powered ALT text generation for lecture visuals: a multimodal approach via slide decks and speech transcripts”. Proceedings of the 28th International ACM SIGACCESS Conference on Computers and Accessibility, ASSETS 2026. ACM, 2026. (pdf).
Full System Prompt Used
You are an accessibility assistant that generates high-quality alternative text (ALT text) for lecture slide visuals.
For each slide, detect meaningful visuals and generate ALT text for each one. If transcript context is provided, use it only to clarify visible content. If transcript context conflicts with the slide, trust the slide.
Return JSON only (no markdown, no extra text).
Schema: {
"slides": [
{
"slideNumber": number,
"visuals": [
{
"id": string
// (in the form of slide#-visual#"),
"type": string
// (such as "diagram", bar chart", line
// graph", "scatter plot", "illustration",
// "photograph", "infographic", "flowchart",
// etc.)
"altText": string
}
]
}
]
}
Rules:
slideNumber starts at 1 and increments by 1.
If a slide has no visuals, return “visuals”: [].
One visual object per distinct visual. A distinct visual is a self-contained diagram, chart, image, or composite graphic that conveys a unified concept or message.
If multiple visual elements on a slide are clearly connected or part of a single diagram, chart, or composite visual, treat them as ONE visual and describe all parts together in a single altText.
altText must be accurate, relevant, complete, specific, and focused on instructional meaning (i.e. key elements, labels, relationships, directional indicators, and trends).
altText should be within a range of 2-8 sentences as needed.
When arrows, lines, or labels are present, explicitly describe what each one points to, where it is positioned relative to elements, and what relationship or flow it indicates (i.e. direction, sequence, or connection).
If the visual is a data visualization or informational graphic (ex. chart, graph), begin altText by stating the chart type and a brief summary of what it shows. Describe the axes and structural components, key data trends and relationships, and reference data labels or categories, highlighting any important comparisons or patterns that support understanding.
You may weave brief relevant semantic context from prior slides and/or transcript into the literal visual description when it improves clarity.
If transcript is present, use it when it improves precision or semantic meaning of visible elements (i.e. disambiguating acronyms, variable meaning, chart intent, or why a visual step matters).
Keep context tightly anchored to visible elements; do not add standalone context that is not grounded in what is on screen.
If a similar or repeated visual appears across multiple slides (even if slightly modified), treat each instance as independent. The altText must fully describe the visual as it appears on the current slide without assuming prior context or that the user has seen earlier slides. You may briefly note that the visual builds on or repeats a prior slide if helpful, but the description must remain fully understandable on its own.
Avoid filler/openers like “This image shows” or “This slide shows”.
Write altText as direct description only (no bullets, no labels like “ALT text:”, no markdown
Do not generate ALT text for a small video or image of the instructor unless it conveys instructional meaning (i.e. demonstrating an action, pointing to content, or containing relevant visual information). Otherwise, treat it as decorative.
If purely decorative, set altText to “”
If a value or label is not clearly visible, do not guess it.
If uncertain, describe only the clearly visible high-confidence elements.
Jazette Johnson, Aaleyah Lewis, Jennifer Mankoff, and Olivia Banner. 2026.“I Don’t Trust it, but I Use it”: Navigating Trust, Privacy, and Identity inDisabled People’s Use of Generative AI. In Proceedings of the 2026 CHIConference on Human Factors in Computing Systems (CHI ’26), April 13–17
As generative AI (GenAI) is integrated into everyday technologies, it offers new accessibility opportunities and risks for disabled people. However, little is known about how disabled people navigate GenAI in their everyday lives, particularly how trust, privacy, and intersectional identities affect these experiences. We present findings from seven cross-disability focus groups (N=20) that explore how disabled people navigate GenAI. Our findings reveal that while GenAI supports autonomy, efficiency, and communication, it also introduces accessibility taxes and ethical dilemmas. Although participants voiced skepticism, many continued using GenAI out of necessity. Finally, we found identity-based benefits and tensions, in which GenAI preserved and validated intersecting identities, but also misrepresented and erased those identities. We frame these negotiations as a constant balancing act between access and risk, urging research to further examine how “access” is conceptualized. We offer implications for creating GenAI tools that are transparent, trustworthy, and responsive to intersectional identities.
Disability culture, disability innovation, and DIY efforts have long been an important part of the work that disabled leaders and resesearch values, studies, and contributes to. Over the last year, we’ve been exploring this through a couple of perspectives:
First, we’ve been developing A11yhood.org, a website that automates the collection of open source accessibility solutions across a wide variety of media from 3D printing to knitting to software, and supports search and exploration. We searched for words like “accessibility” and found over 1440 repositories/things. This project was recently launched at the Open Source and Accessibility Summit and is supported by the GitHub Tides Foundation, NIDILRR’s RERC program (90REGE0026) and in collaboration with other open-source and accessibility focused organizations and leaders including GitHub’s Ed Summers, CAOS and GOAT.
Next, we have been talking to disabled innovators. We presented a paper at ASSETS 2025 that highlights cultural processes of finding community and building solidarity, valuing disabled agency and knowledge, and rejecting ableist norms. To see how these cultural aspects might inform accessibility technology design, we studied accessibility technologies made by disabled people for disabled people – interviewing disabled innovators who had created and disseminated accessibility technologies. We asked these innovators to share their stories and reflect on goals and values they imbued in their innovations. We analyzed how cultural themes of belonging, knowledge, and creativity influenced their work. Our work highlights the potential of a cultural lens in aligning accessibility technology with disabled people’s values as well as unearthing new directions for inquiry for the field: Exploring Disability Culture Through Accounts of Disabled Innovators of Accessibility Technology, by Aashaka Desai, Jennifer Mankoff, Richard E. Ladner (ASSETS ’25)
Tactile graphics present visual information to blind and visually-impaired individuals in an accessible way, through touch. Current methods for producing tactile graphics, such as embossing or swell-paper printing, have limitations such as durability – and the tools required to produce them are limited in expressiveness. In this project, we explore embroidery as a medium for producing tactile graphics. Embroidery, traditionally known for its variety and visual beauty, offers not just improved durability and ease of production – but the ability to convey information through a broad range of stitch types. Following an exploration of the design space of embroidered tactile graphics, we identify key perceptual properties that impact how embroidered textures are differentiated. Based on these differences, we introduce an optimization algorithm for assigning textures to regions of tactile graphics in a way that makes them diverse and legible. We implement an end-to-end pipeline for producing embroidered tactile graphics and evaluate the comprehensibility and legibility of our design with 6 blind participants. Our findings showed that embroidered tactile graphics present information accurately and comprehensively, and that measurable properties, such as the use of spacing and distinctiveness, were an important factor of expressive and legible design.
MatplotAlt is an open-source Python package for easily adding alternative text to matplotlib figures. MatplotAlt equips Jupyter notebook authors to automatically generate and surface chart descriptions with a single line of code or command, and supports a range of options that allow users to customize the generation and display of captions based on their preferences and accessibility needs. MatplotALT on a11yhood.org.
Our evaluation indicates that MatplotAlt’s heuristic and LLM-based methods to generate alt text can create accurate long-form descriptions of both simple univariate and complex Matplotlib figures. We find that state-of-the-art LLMs still struggle with factual errors when describing charts, and improve the accuracy of our descriptions by prompting GPT4-turbo with heuristic-based alt text or data tables parsed from the Matplotlib figure.
Here is some example ALT text generated for the pie chart shown below. A variety of examples can be found in the MatPlotAlt documentation.
A pie chart titled ’percentage of annual sunshine’. There are 12 slices: jan (3.19%), feb (4.993%), mar (8.229%), apr (9.57%), may (11.7%), june (12.39%), july (14.42%), aug (12.99%), sep (10.22%), oct (6.565%), nov (3.329%), and dec (2.404%). The data has a standard deviation of x=4.006, an average of x=8.333, a maximum value of x=14.42, and a minimum value of x=2.404. The data strictly increase up to their max at x=14.42, then strictly decrease.
Mobility aids (e.g., canes, crutches, and wheelchairs) are crucial for people with mobility disabilities; however, pervasive dissatisfaction with these aids keeps usage rates low. Through semi-structured interviews with 17 mobility aid users, mostly under the age of 30, we identified specific sources of dissatisfaction among younger users of mobility aids, uncovered community-based solutions for these dissatisfactions, and explored ways these younger users wanted to improve mobility aids. We found that users sought customizable, reconfigurable, multifunctional, and more aesthetically pleasing mobility aids. Participants’ feedback guided our prototyping of tools/accessories, such as laser cut decorative sleeves, hot-swappable physical interface modules, and modular canes with custom 3D-printed handles. These prototypes were then the focus of additional co-design sessions where six returning participants offered suggestions for improvements and provided feedback on their usefulness and usability. Our findings highlight that many mobility aid users have the desire, ability, and need to customize and improve their aids in different ways compared to older adults. We propose various solutions and design guidelines to facilitate the modifications of mobility aids.
Aashaka Desai, Rahaf Alharbi, Stacy Hsueh, Richard E. Ladner, and Jennifer Mankoff. 2025. Toward Language Justice: Exploring Multilingual Captioning for Accessibility. In CHI Conference on Human Factors in Computing Systems (CHI ’25), April 26–May 01, 2025, Yokohama, Japan. ACM, New York, NY, USA, 18 pages. https://doi.org/10.1145/3706598.3713622
A growing body of research investigates how to make captioning experiences more accessible and enjoyable to disabled people. However, prior work has focused largely on English captioning, neglecting the majority of people who are multilingual (i.e., understand or express themselves in more than one language). To address this gap, we conducted semi-structured interviews and diary logs with 13 participants who used multilingual captions for accessibility. Our findings highlight the linguistic and cultural dimensions of captioning, detailing how language features (scripts and orthography) and the inclusion/negation of cultural context shape the accessibility of captions. Despite lack of quality and availability, participants emphasized the importance of multilingual captioning to learn a new language, build community, and preserve cultural heritage. Moving toward a future where all ways of communicating are celebrated, we present ways to orient captioning research to a language justice agenda that decenters English and engages with varied levels of fluency.
Glazko, K., Portnova-Fahreeva, A., Mankoff-Dey, A., Psarra, A., & Mankoff, J. (2024, July). Shaping Lace: Machine embroidered metamaterials. In Proceedings of the 9th ACM Symposium on Computational Fabrication (pp. 1-12).
The ability to easily create embroidered lace textile objects that can be manipulated in structured ways, i.e., metamaterials, could enable a variety of applications from interactive tactile graphics to physical therapy devices. However, while machine embroidery has been used to create sensors and digitally enhanced fabrics, its use for creating metamaterials is an understudied area. This article reviews recent advances in metamaterial textiles and conducts a design space exploration of metamaterial freestanding lace embroidery. We demonstrate that freestanding lace embroidery can be used to create out-of-plane kirigami and auxetic effects. We provide examples of applications of these effects to create a variety of prototypes and demonstrations.
As Generative AI rises in adoption, its use has expanded to include domains such as hiring and recruiting. However, without examining the potential of bias, this may negatively impact marginalized populations, including people with disabilities. To address this important concern, we present a resume audit study, in which we ask ChatGPT (specifically, GPT-4) to rank a resume against the same resume enhanced with an additional leadership award, scholarship, panel presentation, and membership that are disability-related. We find that GPT-4 exhibits prejudice towards these enhanced CVs. Further, we show that this prejudice can be quantifiably reduced by training a custom GPTs on principles of DEI and disability justice. Our study also includes a unique qualitative analysis of the types of direct and indirect ableism GPT-4 uses to justify its biased decisions and suggest directions for additional bias mitigation work. Additionally, since these justifications are presumably drawn from training data containing real-world biased statements made by humans, our analysis suggests additional avenues for understanding and addressing human bias.