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KnitPick: Manipulating Texture

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Knitting creates complex, soft objects with unique and controllable texture properties that can be used to create interactive objects. However, little work addresses the challenges of using knitted textures. We present KnitPick: a pipeline for interpreting pre-existing hand-knitting texture patterns into a directed-graph representation of knittable structures (KnitGraphs) which can be output to machine and hand-knitting instructions. Using KnitPick, we contribute a measured and photographed data set of 300 knitted textures. Based on findings from this data set, we contribute two algorithms for manipulating KnitGraphs. KnitCarving shapes a graph while respecting a texture, and KnitPatching combines graphs with disparate textures while maintaining a consistent shape. Using these algorithms and textures in our data set we are able to create three Knitting based interactions: roll, tug, and slide. KnitPick is the first system to bridge the gap between hand- and machine-knitting when creating complex knitted textures.

KnitPick: Programming and Modifying Complex Knitted Textures for Machine and Hand Knitting, Megan Hofmann, Lea Albaugh, Ticha Sethapakdi, Jessica Hodgins, Scott e. Hudson, James McCann, Jennifer Mankoff. UIST 2019. The KnitPick Data set can be found here.

A picture of a knit speak file which is compiled into a knit graph (which can be modified using carving and patching) and then compiled to knitout, which can be printed on a knitting machine. Below the graph is a picture of different sorts of lace textures supported by knitpick.
KnitPick converts KnitSpeak into KnitGraphs which can be carved, patched and output to knitted results
A photograph of the table with our data measurement setup, along with piles of patches that are about to be measured and have recently been measured. One patch is attached to the rods and clips used for stretching.
Data set measurement setup, including camera, scale, and stretching rig
A series of five images, each progressively skinnier than the previous. Each image is a knitted texture with 4 stars on it. They are labeled (a) original swatch (b) 6 columns removed (c) 9 columns removed (d) 12 columns removed (e) 15 columns removed
The above images show a progression from the original Star texture to the same texture with 15 columns removed by texture carving. These photographs were shown to crowd-workers who rated their similarity. Even with a whole repetition width removed from the Stars, the pattern remains a recognizable star pattern.

Threadsteading

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In work done collaboratively with Disney Research Pittsburgh and led by Gillian Smith of Northeastern we explored a multi-player game that can be embedded into a quilting and/or embroidery machine interface. Gameplay is constrained by the fact that only a single thread of fabric can be drawn over time. Players compete to ‘scout’ over a map (a hex grid), where different hexes have different costs to explore.

Threadsteading map and custom control panel for quilting machine (light sunder fabric)

Threadsteading was accepted to Alt.CTRL.GDC.

G. Smith, A. Grow, C. Liu, L. Albaugh, J. Mankoff and J. McCann. Threadsteading: A single-line, two-player, territory-control game for quilting and embroidery machines. alt.ctrl.GDC 2016.